Thanks for the detailed write-up. I think the Dream 65 is a great pedal that sounds amazing and is relatively easy to use. Apparently you can use the stereo in/outs as an Effects Loop, This is the type of shit that makes GAS appear when previously there was none . no comments yet. This is the Ruby pedals Vox 64 Top Boost channel. The onboard speaker sims are OK, but I downloaded the York IR Deluxe Reverb IRs and absolutely love those. This sounds more like Dream vs. Couldnt resist. The Stock position uses the instrument input and adds clean gain at low settings, although theres plenty of graininess available when the instrument volume knob is turned up. To store a preset, hold the switch in the down position until the green LED blinks rapidly. The middle switch is only for storing presets, while the right-hand boost switch has positions for KP-3k, Stock and EP-III. As in the 65 Deluxe, moving the middle switch up to the Alt position repurposes the Treble and Boost controls as Speed and Intensity. I also keep a high pass at 65hz and a low pass filter at 10k. See the Jason Sadites videos on YouTube. It may not display this or other websites correctly. Thanks for the write up. The speakers and boosts are all unique to each amplifier, reflecting both standard equipment and historically favoured alternate choices. Everything is under the fingers: dig in and it will spit and grind, lay off with the right hand and a Tele bridge pickup can have the big, fat clean of a pedal steel. FWIW, an old Strat>DECO>Ruby'63 stereo>Powercab, sounds authentic and inspiring. In the former, everything is as per the controls actual settings, while the latter recalls apresaved setup, including the master output level. For the sake of the community, you must continue with your research. If you like the deep throb or repetitive warble of an optical trem, youll be happy with this one. As with those pedals, the new Dream 65 Reverb-Amp, Ruby 63 Top Boost Amplifier and Woodrow 55 Instrument Amplifier feature stylish metal housings, stereo ins and outs, dual foot switches, and the ability to activate and manage factory and user presets via the UAFX Control mobile app (iOS and Android), where you can download artist sounds, edit amp tones and even change the functions of the foot switches. Sphere LX Sphere DLX UAD Plug-Ins Explore our library of the world's best plugins. Universal Audio Dream '65 Reverb Amp Pedal Features: Authentic end-to-end replication of one of the most iconic 1 x 12-inch combo amplifiers of the '60s Boost control for easier breakup, with unique settings on each amp mode Built-in spring reverb and vibrato to capture the sound of the '60s Stunning valve-like touch dynamics + Great selection of cab models + Excellent option for live and DI recording use + Physical controls work intuitively + Additional boost modes on Woodrow and Dream add versatility Cons - The lack of designated headphone out is frustrating - No onboard effects loop - hide. You can backup all your presets (User, Factory and Artist) to the app as asingle batch file, but you can only have one backup at atime, so asubsequent backup will overwrite the previous one. Art Thompson is Senior Editor of Guitar Player magazine. What is the glittery gold pedal with the oil rig looking graphic on the far left, bottom row? Some presets also use setups not available in Live mode (mismatched speaker pairings, offaxis miking) which Ifind rather frustrating. Unless you are familiar with these amps, you might think the inclusion of the Mic inputs volume control in the modelled pedal somewhat irrelevant, but the interaction of the two volumes is actually areally important part of the Tweed Deluxe sound. All rights reserved. Thank you for this comparison. Each virtual amp is paired with one of three userselectable, UA OXstyle dynamically modelled speaker, cabinet and miking combinations. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. I almost pulled the trigger but started looking at the HX Stomp. Two-Rock 2x12 extension cab with Celestion G12-65s, with ribbon and 57 mic emulation, which mimics a California ported cab sound. The Boost lineup is completed by aMaestro Echoplex EP3, and aclean curve boost that rolls off bass and increases treble and mids as you increase the Boost level, which helps to some extent to alleviate the Tweed Deluxes notoriously flubby, loose bass end. UA offers free ir cabs if you register your pedal. The Leadmod option ditches the bright cap when the Boost control is anywhere above Off, and it would have been good to have some way of ditching it on the stock setup, too. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. I thought the Dream didn't work with headphones? Volume at 80%, Bass and Treble centred, no boost pedal. Universal Audio UAFX Dream '65 Reverb Amplifier, Universal Audio Dream '65 Reverb Amplifier. All the presets actually reside in the pedal, but without the app, you can only access the most recently active one. As with those pedals, the new Dream '65 Reverb-Amp, Ruby '63 Top Boost Amplifier and Woodrow '55 Instrument Amplifier feature stylish metal housings, stereo ins and outs, dual foot switches, and the ability to activate and manage factory and user presets via the UAFX Control mobile app (iOS and Android), where you can download artist sounds, edit amp tones and even change the functions . Advertisement Coins. Have you noticed anything like this between the Stomp and Dream? The 65 Deluxe offers achoice of aCelestion Greenback 25, aperiodcorrect Oxford speaker, and an EVM12. Theres enough output level on tap to match or exceed the output of the internal preamp on anything that Itested. The six cab sims on it are all great. There is atrue stereo path through the unit if you use both inputs, but if you use one input and both outputs, you are actually running two phaselocked instances of very slightly different amps, as if using an A/BY box. There was a problem. Help Build My Board (Backstory w/ Boss, Flint, True Spring, Eventide Space). Please refresh the page and try again. I did try out the Sennheiser HD650 configurations - and do agree that you've got a pretty decent line level with those, but my preference are the AirPod cans and the Sennheisers will be sent back. The Golden is just reverb, Dream is a whole amp (preamp, cab sim, spring reverb and tremolo). The Dream '65 Reverb Amp is housed in a heavy-duty metal chassis. Dont let your partner stop you. The victory preamps do this too, helix etc of course. Theres no MIDI or external control, no effects loop and no headphone output, and there are no effects other than aroom or spring reverb emulation and whatever tremolo the original amp would have and they cost about the same as aStrymon Iridium, which will give you three classic amps, or an Atomic AmpliFirebox MKII, Boss IR200 or Line6 Pod Go that will give you loads. King, Prince and Scotty Moore and interviewed gear innovators such as Paul Reed Smith, Randall Smith and Gary Kramer. The app caters for configuration and preset management, but its probably fair to say theres scope for this to be developed further.By default, the two footswitches select Live and Preset mode (versus buffered Bypass), but you can assign the righthand one to be perhaps aLive/Preset toggle, while the left toggles something useful like boost, reverb or vibrato. The Classic American Tube Amp Dream '65 Reverb Amplifier Learn More The Sound of the British Invasion Ruby '63 Top Boost Amplifier The cut, bass and treble knobs work in the usual fashion and provide plenty of range to dial-in tactile, blizzard of nails tones from humbuckers and single-coils alike. I did my best to tone match each clip, but it is worth pointing out that these two pedals really do not seem to be a 1:1. With stereo-in/stereo-out setups, the left/right input signals remain fully discrete from inputs to outputs. For heavier grind the Lead setting (which cuts out the bright cap) sounds formidable when boost is turned up to 10 oclock and higher, where midrange from the tone stack is added to yield increasing amounts of fat, juicy distortion. The following is the most up-to-date information related to universal audio dream vs walrus acs1 vs strymon iridium - fender amp comparison. The controls obviously dont represent the active values when you recall apreset, and as soon as you move one it becomes active at its new value. With no tone stack and therefore no need for amakeup gain stage, there are just Volume and Cut controls, the latter implementing atreble rolloff. Even when I had mine cranked it faded really strangely towards the end of the reverb tail. You will receive a notification when the price drops. Universal Audio UAFX Dream 65 Available for 339 at Woodrow '55 Of the three pedals here, I found the Woodrow '55* the most challenging to dial in an initial tone. The spring algorithms on the H9, Collider, and True Spring are top notch. UAFX vs Strymon Iridium vs DSM & Humboldt Simplifier vs Walrus Audio ACS1 vs HX Stomp Which amp pedals would be yours? Ithink these are for adifferent user: one for whom detail and nuance in the sound, and touch and feel in the playing is everything. The Dream '65, Ruby '63 and Woodrow '55 are digital amp emulators that claim to capture the mic'd-up tones of three classic valve combos with new levels of authenticity. Universal Audio UAFX Dream 65 Reverb; . England and Wales company registration number 2008885. An additional three bonus cabs are available on registration of the pedal via the UAFX app (the whole cab, mic and room element can also be bypassed for running the pedal into areal guitar amp), and there are three custom boosts or circuit mods you can select. The pursuit of ultimate reality in emulations is not without consequence, and players who have only ever used modellers might be surprised to find that everything on 11 doesnt automatically get you asweet, singing lead tone: in the real world, it often gets you abrittle, flubby mess. There is not a pedal on this board that I paid full retail for. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. The 123STABLE project will feature platinum- and iridium-based nanostructures as a model system to introduce a unique "123" approach, as they still possess the best electrocatalytic properties for the future electrification of society through the Hydrogen economy. Modelled speaker options are 2x12 configurations of vintage 15W Celestion Silver Bulldogs, Alnico Blues, or modern G12Anniversary models, with the bonus cabs offering amodern rendition of the Alnico Blues, modern Matchlessampstyle speakers, or amodern Celestion Alnico Gold in a1x12 cab. These give me lots of options for both spring reverb and tremolo. Hmmm. 12 different spring reverb engines. The con would clearly be versatility. Your email address will not be published. The UA dream 65 is no exception and is probably. And finally, the socalled Vibrato effect (really Fenders periodcorrect optical Tremolo circuit), accessed by selecting the Alt position for the centre threeway mini switch, which repurposes the Treble and Boost controls as tremolo Speed and Intensity, respectively. It may not display this or other websites correctly. Both sounded amazing in demos. I would say the second best amp sim I've played is the two notes cab m+ because you can much more easily configure multiple mic set ups and go into the weeds with the tubes and preamp set up. Note that asuitable power supply is not included with the pedals, and that not all pedalboard power supply outputs may have the required 400mA current capacity. The boosts are great. I've also have bought 3rd party IRs to achieve great sounds but am pretty sure I could achieve great sounds with the stock cabs too. That's not to say that the 2-610 doesn't possess vintage heritage. There is certainly more than enough real thing in these emulations to make that adeeply rewarding investment. UA recommends the combination of the Blue speaker selection with the Brilliant channel as a pairing used by the Beatles and U2. If it had midi, I could add more switches and more control. Built upon powerful dualprocessor engines and UA's proven analog modeling expertise, UAFX Guitar Pedals give you sonic authenticity far beyond other stompboxes. It feels solid and durable. The little black switch on the bottom left of the board above the red one is used for the tremolo bypass. You can match apreset by ear, to some extent, and there is asmall text description for each preset available in the app that details acouple of major parameters. It is nice to have the option for the Dream 65, but it is an option, not necessarily an improvement. Overview -. It runs on a 9V DC power supply, which is not included. Absolute heaven with aTele. Ya know I hadnt considered this but it doesnt seem like any in this line have a headphone out which is quite unfortunate. The Woodrow 55 Instrument Amplifier models all the subtle nuances of aFender 5E3 Tweed amp, including the interaction between the instrument and mic stages.It is quite hard to imagine asingle amp being able to deliver both Larry Carltons sweet sustaining cleans and leads of the 70s and Neil Youngs guitar mayhem, but they are both very characteristically Tweed Deluxe. You plug it in and boom, there is that sound. Ask any 10 guitarists to identify their favourite amp simulator and youll probably get nine different answersand two of them will be None: nothing sounds like my real tube amps. But perhaps it shouldnt be asurprise, given the sheer variety of real amps that the market seems able to support. http://www.superdangerstudios.comFollow on IG: http://www.instagram.com/superdangerstudiosEquipment used (Amazon are affiliate links)---Universal Audio Dream '65: https://amzn.to/3bU8bwOStrymon IRIDIUM: https://amzn.to/3yv3rFfStrymon FLINT: https://amzn.to/3QjbcGeEP Booster: https://amzn.to/3w6Zm9UBOSS SD-1 Super Overdrive: https://amzn.to/3T35udcVoodoo Labs Sparkle Drive MOD: https://amzn.to/3A0eEy9Fender Blues Jr: https://amzn.to/3wZw50ALollar Pickups: https://www.lollarguitars.com/lollar-telecaster-pickupsWarmoth Necks: https://warmoth.com/index.php/guitar-necks/telecasterStrymon Iridium: https://amzn.to/3z9dmCkYork Audio IR: https://www.yorkaudio.co/shopSSL UC1: https://amzn.to/3vVWISQiMac 2017 5k: https://amzn.to/2XVdqCiSony A6400 camera: https://amzn.to/3aksgY8Sigma 16mm f1.4 lens: https://amzn.to/3fS4Fz5Apogee Duet 3 Audio Interface: https://amzn.to/3M9AH9QI use the Apogee Duet but it is out of stock at over 10 years old, this is the newer one that will work just as wellSony MDR-7506: https://amzn.to/33RiL1h That being said, I might still keep it. The bottom setting is EP-III, which models the preamp from a solid-state Echoplex tape echo. This is also where added input gain from a germanium-style treble-boost circuit gives a bump to the midrange and treble without increasing distortion. The bottom setting is EP-III, which models the preamp from a solid-state Echoplex tape echo. The boosts are great. With a little tweaking, I got it to sound and feel exactly like my ideal blackface DR would sound. I usually keep an old iPad hooked up for controls. AUSBC port is presently reserved for registration and firmware updates, but Im sure primarily studiobased users would like to see the mobile app functions implemented in awiredconnection desktop app, too. The classic tone control setup for a60s Deluxe tends to be around treble at six, with bass at three, and that works just the same for the modelled stock amp here. The highly characteristic and quite complex interactions of this input stage are exactly replicated in the pedal, with the single Tone control also playing its part in determining the overall drive level of theamp. Connect to an effects return if possiblethe suggested 4cable mode works great to allow you to use these as aswitchable alternative to your amps own preampbut it can still work if you have to go in the guitar input of an amp, especially on nonmastervolume models. As soon as you move one, its sound will jump to the new position. Played two shows with the dream and when I went back to the iridium it was honestly like a breath of fresh air. Tele, bridge pickup, with guitar volume control backed off to about 70%. B-Stock, J. Rockett Audiio Uni-Verb, effect-pedal, Classic, analogue Univibe sounds, with additional One-Knob Spring Reverb, Built-in FX loop separates Reverb from Vibe section, Vibrato/Chorus switchable via footswitch,.
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